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Introduction
Sci/art partnerships within the Department
of Radiology and Physics are a unique kind of collaboration between
the artist and a scientist: working together they aim to challenge
not only how art benefits from science, but also how science benefits
from art. This collaboration
aims to be a genuine attempt for the two disciplines to work together
to produce a work that is both an artwork and a product of scientific
research, not merely that of an artist using the technologies of
science, nor a scientist making use of aesthetic images to describe
scientific techniques. It sets out to rethink attitudes and to position
artistic and scientific practices at the leading edge of social
debate.
Residency
Our aim is to extend the department's previous
work and offer a place to an artist as a group member within the
Unit, in order to allow a greater level of interaction than was
possible with the previous collaborations. The artist would be uniquely
placed to experience both clinical and experimental aspects of the
Unit, as well as close collaboration with scientists from a wide
range of disciplines. At the present, it is not our intention to
describe what the final outcome will be or the direction of the
project.
Artist-in-progress
An unusual aspect of the residency will
be to document the artist using a dedicated web site. Dominic Erskine,
who is both a writer and web designer, will set-up, maintain and
help transcribe the interaction and development of the residency.
It is said that the underlying process of a sci/art collaboration
is the cornerstone to success and that this vital part may not always
be reflected in the final outcome. To track this ongoing process,
the web site will be constantly updated so that the progress of
the artist can be followed. This web-based documentary will be incorporated
into the final piece for the public to explore further issues and
information relating to the work, and to appreciate what it is like
to work within a science department.
The Fourth way
Simon Cohn (Medical Anthropologist, Anthropology
Department, Goldsmiths College University of London) who already
has close contacts with the Department of Radiology and Physics,
has agreed to participate in a four-way interaction between the
artist, Department of Radiology and Physics, and Dominic Erskine.
Simon has an active interest in brain imaging and is already investigating
some of the cultural dimensions around ideas of the brain and neuroscience
as they are being developed on an ESRC funded project as part of
the Innovative Health Technologies Programme. His research is currently
investigating how visualisation technology is likely to have consequences
not only for how the brain is conceived and represented, but also
for the much broader understandings people have of the mind and
body, normality and illness. His contribution, therefore, will be
to instigate a dialogue between all parties in the project to include
broader social and cultural dimensions. He will also draw more widely
from his own College's expertise and research productivity; coming,
as he does, from the leading institution that seeks to integrate
the visual arts with the social sciences. Simon will closely follow
the progress of the artist in order to contribute to the both the
web documentary, as well as reporting on not only the novel exploration
into the non-expert understandings and interpretations of science,
but also the understanding of non-scientific perspectives by scientists
themselves - so extending the issue of the public understanding
of science. In parallel with the residency, Dr Cohn will also continue
with his own investigation into the role of technology and scientific
innovation on the many cultural aspects that are tied to clinical
applications. It is hope that this mutually inclusive approach will
provide a new framework from which science, art and understanding
may develop.
Acknowledgments and Funding
We acknowledge the financial support of
the Calouste Gulbenkian Foundation and the Wellcome Trust.
We also acknowledge the members
of the interview panel who kindly gave their time: Ken Arnold, Simon
Cohn, Sian Ede, David Gadian, Janna Levin, Andrew Kotting, Mark Lythgoe.
We also acknowledge the members
of the selection team who kindly made time to suggest artist who
were interested in this position: Bergit Arends, Ken Arnold, Paul
Bonaventura, Sian Ede, Rob La Frenais, Janna Levin, Mark Lythgoe,
Lynda Morris, Catsou Roberts.
And a final thanks to all
the artists who came to the interviews. We cannot stress too much
how impressed we all were by the calibre of the portfolios, and
what an interesting and informative day we had.
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